[BURLESQUE]: TEMA OFICIAL Part II!

Real Fan Mensajes : 7357 Fecha de inscripción : 05/09/2008

muy buenos comentarios de verdad, ya quiero ver el porsentaje de buenas reviews

Tema: Re: [BURLESQUE]: TEMA OFICIAL Part II! Miér Nov 24, 2010 2:32 pm

Metacritic le da 49/100 (Mixed or average reviews)...
Pensé que sería mayor!

Porcentaje calculado sobre la base de 17 críticas:
5 críticas positivas.
10 críticas mixtas o medias.
2 críticas negativas.

http://www.metacritic.com/movie/burlesque

Real Fan Mensajes : 7357 Fecha de inscripción : 05/09/2008

Alan pero Metacritic siempre da puntajes bajos, el porsentage de reviews que si importa es el de Rotten Tomatoes es el mas importante en cuanto criticas

Tema: Re: [BURLESQUE]: TEMA OFICIAL Part II! Miér Nov 24, 2010 2:46 pm

En Rotten Tomatoes tiene 32%...

http://www.rottentomatoes.com/m/burlesque/ Mad

Real Fan Mensajes : 7357 Fecha de inscripción : 05/09/2008

Es realmente bajo, pero hay que tomar encuenta que tiene una audiencia positiva del 84% y que solo son resultados de 45 criticas, que viene siendo como la mitad mas o menos de las criticas que en total tendra la peli

Tema: Re: [BURLESQUE]: TEMA OFICIAL Part II! Miér Nov 24, 2010 3:05 pm

El Barto escribió:: Es realmente bajo, pero hay que tomar encuenta que tiene una audiencia positiva del 84% y que solo son resultados de 45 criticas, que viene siendo como la mitad mas o menos de las criticas que en total tendra la peli

sí, es verdad! no hay q alarmarse! es muy pronto aun!
ahora tiene 50 críticas y un 34%! xD

Real Fan Mensajes : 7357 Fecha de inscripción : 05/09/2008

exacto no hay que alarmarse, claro no esperemos un porsentaje de noventa y tantos, ya hablar de un 80% o mas es pensar demasiado en grande, casi ninguna pelicula tiene un porsentaje realmente alto por las mixed reviews, Burlesque va a tener un total aproximado de 200 criticas, si de 45 el porsentaje es de 32% entonces tendremos que de unas 200 el porsentaje será de unos 68% o 76%... eso si bien nos va, solo nos queda esperar, recuerden que los numeros que importan son los de Rotten Tomatoes!!!!

a mi en lo personal me asustan un poco esos numeros bajos pero esperemos.

Tema: Re: [BURLESQUE]: TEMA OFICIAL Part II! Miér Nov 24, 2010 3:35 pm

ALAN-AG escribió:

El Barto escribió:: Es realmente bajo, pero hay que tomar encuenta que tiene una audiencia positiva del 84% y que solo son resultados de 45 criticas, que viene siendo como la mitad mas o menos de las criticas que en total tendra la peli

sí, es verdad! no hay q alarmarse! es muy pronto aun!
ahora tiene 50 críticas y un 34%! xD

ahora tiene 52 críticas y un 37%! xD
es verdad barto! parece ser q funciona como dices!
me aliviaste mucho!

Real Fan Mensajes : 13226 Fecha de inscripción : 06/09/2008 Edad : 34

Yo nunca esperé mucho puntaje. Christina puede actuar bien, los números pueden ser íncreíbles, pero el fallo en todas las críticas que veo es la historia que dicen que es DEMASIADO CLICHE. Eso killed everything.

Tema: Re: [BURLESQUE]: TEMA OFICIAL Part II! Miér Nov 24, 2010 6:58 pm

Nuevos Reviews

Washington Post!

Citación :: The first genuine showstopper in the musical "Burlesque" is a brassy, bawdy anthem called "Welcome to Burlesque," a valentine to pure camp made all the more exhilarating in that it marks Cher's return to the big screen after a too-long seven-year hiatus. Granted, this uneven but infectiously cheery movie is clearly designed around Cher's co-star, 29-year-old pop singer Christina Aguilera, who in her feature film debut bumps and grinds and shimmies and belts her way to certain stardom. But "Burlesque" also offers a case study in what has made the 64-year-old Cher such a captivating and enduring presence, a star of the glitzy old school who could scandalize Hollywood with a gloriously tacky Oscar gown - and deservedly win the award.

THIS STORY
Ann Hornaday reviews 'Burlesque'
Watch the trailer: 'Burlesque'
That, you'll recall was for "Moonstruck," a lovely romance that featured just one of several stunning, serious acting turns for Cher throughout the 1980s, including her grittily naturalistic supporting turn in "Silkwood" and equally sturdy performance in "Mask."

In her eye-popping opening number and later, in a surprisingly affecting power ballad, Cher proves that she can still belt, but more to the point, she can still act. (Some of us still think she was the best thing about 1999's "Tea With Mussolini.")

Sadly, Cher and Aguilera don't sing a duet in "Burlesque." But this corny guilty pleasure of a movie is nonetheless a fitting two-hander for these seasoned pros. Aguilera plays the young, ambitious singer-dancer Ali Rose, who joins a long line of similar star-struck, steely-eyed characters when she teeters out of her Iowa trailer park to make it big in Hollywood. There, while roaming the Sunset Strip, she comes under the wise - and really well cosmeticized - tutelage of Cher's Tess, who runs the Burlesque Lounge, a fading temple of rococo excess and tatty retro glamour.

First-time writer-director Steven Antin will never be accused of breaking new ground with "Burlesque," which favors "You didn't tell me you could sing!" cliches and other familiar tropes. But even within an otherwise predictable string of stock scenes and awkwardly staged montages, Cher can be counted on to deliver "Burlesque's" most poignant and funny moments. And more often than not, those moments occur when she's trading wearily affectionate banter with Stanley Tucci, who plays Sean, Tess's longtime stage manager and gay boyfriend, with his usual deadpan humor and sensitivity.

Aguilera, whose throaty, blues-inflected voice has always stood out from the Auto-Tuned bubble gum of her peers, gets to show off her prodigious range and vintage taste in "Burlesque," where she struts her diminutive frame in progressively more bedazzling - and revealing - costumes. With pipes and well-honed showmanship like hers, it's no surprise that Aguilera completely nails the movie's production numbers, which are staged with both a nostalgic sense of teasing playfulness and the high-tech extravaganza of a rock show. (Antin cut his teeth making music videos for neo-burlesque troop the Pussycat Dolls.)

As an actress, Aguilera's understandably a bit more unsteady. Her newcomer's uncertainty fits Ali's own fledgling self-awareness, but it remains to be seen whether Aguilera can become the multi-hyphenate on par with her co-star. Certainly her lack of experience helps explain why, of the two power-ballad solos in "Burlesque," Cher's "You Haven't Seen the Last of Me" lands with such powerful force. Written by the great Diane Warren, the song is Cher's "I'm Not Going" moment, a mirror-image of the resilience, autonomy and sheer chops she's come to represent.

When Cher/Tess sighs "Let's get this over with" before the song, her reluctance is obviously pure hooey, the kind of Hollywood artifice that "Burlesque" celebrates without a trace of irony. What's more, it provides welcome respite from the film's chief flaw, which is Antin's penchant for a constantly moving camera and whipsaw editing. What is clearly a sop to MTV-weaned younger viewers unaccustomed to letting a scene play out has become the scourge of movie musicals, where filmgoers can barely get a sense of where players are on the stage, let alone what their bodies are doing. There must be good dancing in "Burlesque;" too much of it gets lost in a Cuisinarted welter of swish pans and jump cuts.

"What happened to all the great dancers in L.A.?" Tess asks Sean at one point. "They're on 'Dancing With the Stars,' " he quips. And look! There's one now! DWTS's own Julianne Hough plays one of Tess's dancers, as does Kristen Bell (unblonded and almost unrecognizable), who engages in "Burlesque's" most picturesque catfights, both on and off the stage. Alan Cumming, nodding coyly to his own breakout performance in "Cabaret," is shamefully underused as the club's heavily guylined doorman-slash-bouncer, although we see plenty of Cam Gigandet as Jack, the Burlesque's cute bartender and Ali's (mostly) chaste love interest.

No less than Peter Gallagher, Eric Dane and James Brolin round out "Burlesque's" superlative cast, but make no mistake: This is a girls' movie throughout, from the spangled, sequined female drag queens onstage to the two powerhouses sharing the spotlight on screen.

As a musical, a backstage coming-of-age drama and an ingenue's burstingly assured star turn, "Burlesque" proves a worthy addition to those canons, landing on the respectable side of the "42nd Street"/"Showgirls" spectrum.

But it succeeds most as one generation's transfer of pop culture wealth to another. "Remember," Tess advises one of her dancers, "if you fall off the stage: legs extended, boobs out." That might as well be Cher's motto for life, the watchwords of a consummate professional who knows that, to survive, every diva needs a dash of self-deprecation. "Burlesque" delivers eyeful after eyeful of rapid-fire opulence and spectacle. But its most memorable sight is the indelible image of one star taking flight, and another triumphantly staying put.

Source: http://www.washingtonpost.com/wp-dyn...112305731.html

TOP Critic: San Francisco Chronicle!

Citación :

Burlesque

Musical. Starring Christina Aguilera, Cher and Stanley Tucci. Directed by Steve Antin. (PG-13. 110 minutes. At Bay Area theaters.)

"Burlesque" is irresistible from its first minutes, and over time it creates a whole atmosphere, not only onscreen but within the audience. It's big, perfectly cast and entertaining in every way, but more than that it feels like a generous public event. See it with other people. See it with a crowd.

You will know you're in good hands 30 seconds into meeting Christina Aguilera, as a small-town girl who dreams of big-city glamour. Aguilera has the face of an actress, full of character and thought, and in this, her first screen role, she has an ease with dialogue that some people never achieve. Only when she opens her mouth to sing would anyone peg her as a pop star. Her deep, booming voice shakes the theater's sound system, as Cher's name flashes on the opening credits, and we're off - to about as good a time as anybody's going to have this year sitting down.

"Burlesque" is an amalgam of strains and elements from dozens of movie musicals: There's the club that could exist nowhere on earth. There are dance numbers that could never really happen. There's a paid staff of showgirls. There's a scary brunette diva, and a young woman who's going out there a child and coming back a star. There's also a burgeoning talent who must choose between a rich guy and a nice guy - alas, they are never, ever the same guy.

Some will recognize these motifs from "Showgirls" or "Flashdance," but to see these as cliches would be missing the point. "Burlesque" is operating within a whole musical tradition, with stuff in it literally going back to "The Broadway Melody" from 1929. The point is not that it's possible to piece together a musical out of leftover parts, like Frankenstein, but rather that the old can become new again, when re-imagined for a new era and invested with enthusiasm and feeling.

Let's say something about Cher right away, or else people will start looking for the Cher paragraph. She's wonderful in this. Over the years, she has done things with (and to) her face that make it difficult to cast her in a wide range of roles. But here, as a veteran singer and dancer who owns a struggling nouveau burlesque club in Los Angeles, everything about her look and self-presentation becomes a virtue. As befits a legend, the role and Cher seem to overlap. We watch both of them, appreciating the no-nonsense motherly warmth behind the glitz with a growing conviction that we're seeing some original and very showbiz variety of a great woman.

The club in "Burlesque" has nothing to do with traditional burlesque. Aside from a single, chaste fan dance, the programs consist of production numbers performed by showgirls who dance and lip-sync. Only Cher, as the owner, sings in her own voice - she has two numbers; her second, the ballad "You Haven't Seen the Last of Me," is what could be called "the song from the show." Later, Aguilera also gets to sing. The soundtrack contains originals, as well as such nods to the past as "A Guy What Takes His Time," which was hot stuff when it premiered in the Mae West film "She Done Him Wrong" (1933). As performed by Aguilera, it's not exactly cold stuff now.

Four years ago, Jennifer Hudson became a star, and deserved to become a star, after stopping the show exactly once in "Dreamgirls." In "Burlesque," Aguilera is jaw-droppingly good in several numbers. Moreover, she makes us believe in this aspiring performer's talent, in her consuming need to succeed, and in her essential worth as a person. The script was never going to earn writer-director Steve Antin a Nobel Prize, but it's cleverer than it has to be. Right out of the box, Aguilera knows how to listen to her fellow actors, to react and be spontaneous, and it makes all the difference.

Good people surround her. In addition to Cher, there's Stanley Tucci as the nice gay man who mediates between the owner (Cher) and her new star, in much the same way he mediated, as a nice gay man, between Meryl Streep and Anne Hathaway in "The Devil Wears Prada." Kristen Bell brings force and subtle comedy to her role as a Burlesque diva who feels her star slipping and doesn't like it. Unfortunately, the multi-talented Alan Cumming has little to do, even though this would seem to be his natural environment.

And then, it ends, two minutes before it might have started to sag. Antin doesn't belabor the story. He cuts strings and dashes for the finish - just in time for the massive dance number that sends people out with a spring in their step and the energy to rejoin a world that, for two hours, they'd completely forgotten.

-- Advisory: Suggestive dance numbers, sexual situation, adult subjects

4/4 stars.

Source: http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2010/11/24/MV8E1GFJU8.DTL

Estos son criticos MUY importantes, y tienen cosas que decir buenas de la película.
El crítico más DURO y uno de los más respetables de Hollywood, Roger Egbert le dió a la película 2/4 estrellas, se burló un poco de ella, pero no fue ni la mitad de ácido con 'Burlesque' como lo he visto ser con miles de otras películas. Y de hecho invitó a la gente a verla.

Críticas A LA ACTUaCIÓN de Christina de diferentes medios:

"Aguilera has a natural screen presence, more so than other singers (Tim McGraw, Jennifer Lopez, Madonna) who've devoted a lot of time to acting. But you watch Aguilera flit about in this nothing part and wonder if she really aches to impress you the way a Beyoncé does. Beyoncé isn't a natural actor. She is, however, an insatiable one. Aguilera conducts herself here like a woman who knows from where her next meal is coming (expensive record producers)."
Boston Globe Review

"In a robust attempt at career rehabilitation, singer Christina Aguilera acquits herself well as Ali or well enough, at least, relative to the pop catastrophes of Britney Spears in Crossroads and Mariah Carey in Glitter. "
NPR.

"Given that she spends much of the movie onstage, singing and dancing in what is essentially a succession of music videos linked with backstage filler, Ms. Aguilera doesn't have much time to embarrass herself. She's a serviceable screen presence who has a voice and an occasional song (Etta James; Tough Lover) big enough to keep her from sliding off screen."
NY Times.

"Aguilera has the face of an actress, full of character and thought, and in this, her first screen role, she has an ease with dialogue that some people never achieve. Only when she opens her mouth to sing would anyone peg her as a pop star.
Four years ago, Jennifer Hudson became a star, and deserved to become a star, after stopping the show exactly once in "Dreamgirls." In "Burlesque," Aguilera is jaw-droppingly good in several numbers. Moreover, she makes us believe in this aspiring performer's talent, in her consuming need to succeed, and in her essential worth as a person. The script was never going to earn writer-director Steve Antin a Nobel Prize, but it's cleverer than it has to be. Right out of the box, Aguilera knows how to listen to her fellow actors, to react and be spontaneous, and it makes all the difference."
San Francisco Chronicle

"As an actress, Aguilera's understandably a bit more unsteady. Her newcomer's uncertainty fits Ali's own fledgling self-awareness, but it remains to be seen whether Aguilera can become the multi-hyphenate on par with her co-star."
Washington Post

"Hollywood can't figure out what to do with the mighty Beyonce, our era's most powerfully pleasing and joyful musical performer, but the thoroughly mannered Christina Aguilera fits right in with the industrys phoniness. Aguilera's starring-role movie debut in Burlesque is as inauthentic as her performing style. From the moment she opens her mouth and cranks out a guttural rendition of Etta James Something's Got a Hold of Me; the movie leaves credibility behind. Showcasing Aguilera's attempt to sound like a 50-year-old black woman in the guise of white appropriation, Burlesque sells a myth about show business that is both unwelcome and shopworn."
NY Press

"Again, the suspense kills no one. The real question is whether Aguilera can act, and yes she can. The perky underdog persona she creates for Allie is winning - bouyant, bubbly, weirdly wholesome."
Philadelphia Daily News

"That of course brings us to Ms. Aguilera. The first time she sings at the club is simply stunning! Man, woman and child will be in awe of this show stopping number! And guess what? The girl can act too. Not saying that this is super challenging role, but she gives a sweet and sexy performance that feels unexpectedly honest. She is sexy when necessary, and she is crazy vulnerable too. In fact, she is a pretty solid anchor for this escapist fun."
iamROUGE.com

"Aguilera shows off that big voice as she transforms the club from lip-sync central to a suddenly hot home to a blues shouting torch singer (her) dancing and singing with scantily clad women. And Aguilera, sort of an unconventional beauty (she still looks girlish), shows off her other assets, as well. She’s fine in a role that seems to comes straight out of the 1950s."
Orlando Sentinel

"Aguilera’s voice is a force of nature, but you knew that going in. The revelation here is her on-screen naturalness in her virtual acting debut: she’s impressively assured in the a-star-is-born manner and not because the lines she’s been assigned are her best friends."
Philadelphia CBSlocal

"She’s a likable presence, and her suitably outsize turn reminds me why her duet with Mick Jagger — performed in a pair of skyscraper black platform heels — is pretty much the only thing I remember from Martin Scorsese’s otherwise perfunctory Rolling Stones documentary Shine a Light. And as an actress, she knows just what to do with Antin’s intentionally ring-a-ding dialogue. “You wrote that? It’s really good!” she exclaims earnestly as her lover boy tootles a dumb little tune on his Casio."
Moviesonline Review

"Campy and clichéd, Burlesque wastes its talented cast (including a better-than-expected Christina Aguilera) on a movie that wavers uncertainly between "bad" and "so bad it's good.""
Rotten Tomatoes.

Tema: Re: [BURLESQUE]: TEMA OFICIAL Part II! Jue Nov 25, 2010 2:01 am

Yahoo Users 'Burlesque' rating A-!

[BURLESQUE]: TEMA OFICIAL Part II! - Página 23 Burlesqueuserreview

Real Fan Mensajes : 5108 Fecha de inscripción : 05/09/2008

Lia y que dijo Roger Egbert? de que se burlo?

Real Fan Mensajes : 4089 Fecha de inscripción : 05/09/2008

Real Fan Mensajes : 3800 Fecha de inscripción : 19/02/2009

Para que pones eso? Ni sikiera se sabe quien es Ski! :S apenas tiene mas de 20,000 seguidores en FB xD

Tema: Re: [BURLESQUE]: TEMA OFICIAL Part II! Jue Nov 25, 2010 4:30 am

[Eduardo Cullen] escribió:: Para que pones eso? Ni sikiera se sabe quien es Ski! :S apenas tiene mas de 20,000 seguidores en FB xD

de acuerdo!

Real Fan Mensajes : 4089 Fecha de inscripción : 05/09/2008

talvez tu pero otros si sabemos quien es esa cantante xD no sabia la regla de colocar lo bonito nada mas

Real Fan Mensajes : 3800 Fecha de inscripción : 19/02/2009

No! no digo que todo lo que publiquemos tenga que ser bonito! pero entonces deja me agarro todos los comentarios de la gente de FB!

Tema: Re: [BURLESQUE]: TEMA OFICIAL Part II! Jue Nov 25, 2010 4:53 am

[Eduardo Cullen] escribió:: No! no digo que todo lo que publiquemos tenga que ser bonito! pero entonces deja me agarro todos los comentarios de la gente de FB!

La muchacha es cantante, un famoso pues.

Real Fan Mensajes : 4089 Fecha de inscripción : 05/09/2008

enzoseb escribió:

[Eduardo Cullen] escribió:: No! no digo que todo lo que publiquemos tenga que ser bonito! pero entonces deja me agarro todos los comentarios de la gente de FB!

La muchacha es cantante, un famoso pues.

Thanks Enzo, es lo que iba a decir, creo que cualquier comentario de gente del medio es valido tambien.!!

Real Fan Mensajes : 3800 Fecha de inscripción : 19/02/2009

OK! ojala pronto mas famoso pongan sus opiniones! Smile

Real Fan Mensajes : 7357 Fecha de inscripción : 05/09/2008

Osea mike cuando pongas algo por lo menos explica quien es o que ondas por que si pones nadamas asi es como medio wtf pero bueno... ni idea quien sea esa o ese tipo.

Enzo tienes razon en lo que comentas, las criticas para la actuacion de Christina han sido muy buenas! y para el soundtrack tambien!! la fotografia, los numeros musicales y todo ha sido MUY BIEN criticado pero en este caso es una historia muy cliché y eso mata todo, pero no creo que sea mala, donde los criticos invitan a verla es por algo

Tema: Re: [BURLESQUE]: TEMA OFICIAL Part II! Jue Nov 25, 2010 7:29 am

Yo aún sigo pensando ke será una película totalmente X en cuanto a la trama.. la veré por ser Christina obviamente, y tampoco me espero ke en la de Rotten Tomatoes o como se llame, alcance más del 50%... viendo ke musicales como Mama mia, Chicago y esos, tienen puntajes alrededor del 60.. no espero ke Burlesque los alcance, la verdad.. y mucho menos ke les guste a todos en general!

Lo bueno de la peli será la música y los bailes.. pero hay mucha gente a la ke no le gusta la voz de Christina, so.... jajajaja no me importa cómo la critiken.. yo ya kiero verla! Very Happy

Tema: Re: [BURLESQUE]: TEMA OFICIAL Part II! Jue Nov 25, 2010 8:27 am

otra que se hara famosa gracias a christina? primero fue gaga ahora esa jaja
ya dejen el drama , todos hablaran mal o bien de la pela!!
los peores criticos seremos su fans , cuando la veamos xD

Real Fan Mensajes : 4089 Fecha de inscripción : 05/09/2008

BURLESQUE RECAUDA MAS DE TRES MILLONES DE DOLARES

Recietemente una nota publicada por deadlines señala que la película Burlesque recaudo en su primer día de estreno (24 de Noviembre) mas de tres millones de dolares. Por lo cual ésta se encuentra en el puesto número Tres de los estrenos del día de ayer. Aunque el primer lugar lo ocupa Harry Potter que aun no se ha estrenado. A continuación vea la lista de los primeros lugares (del día de ayer) con los cuales compite Burlesque , véase:

1. Harry Potter/Deathly Hallows, Pt 1 (Warner Bros) Week 2 [4,125 Runs]
Friday $14.4M, Estimated 5-Day Holiday $90M, Estimated Cume $230M

2. Tangled 3D (Disney) NEW [3,603 Runs]
Friday $11.7M, Estimated 5-Day Holiday $69M

3. Burlesque (Screen Gems/Sony) NEW [3,037 Runs]
Friday $2.8M, Estimated 5-Day Holiday $17.8M

4. Megamind 3D (DreamWorks Animation/Paramount) Week 4 [3,401 Runs]
Friday $2.6M, Estimated 5-Day Holiday $22M, Estimated Cume $135M

5. Love And Other Drugs (Fox) NEW [2,455 Runs]
Friday $2.1M, Estimated 5-Day Holiday $15.1M

6. Unstoppable (Fox) Week 3 [3,183 Runs]
Friday $1.9M, Estimated 5-Day Holiday $14.3M, Estimated Cume $58M

7. Faster (CBS Films/Sony) NEW [2,454 Runs]
Friday $1.6M, Estimated 5-Day Holiday $9.4M

8. Due Date (Warner Bros) Week 4 [2,455 Runs]
Friday $1.3M, Estimated 5-Day Holiday $9M, Estimated Cume $83.6M

9. The Next Three Days (Lionsgate) Week 2 [2,564 Runs]
Friday $760K, Estimated 5-Day Holiday $6.5M, Estimated Cume $14.5M

10. Morning Glory (Paramount) Week 3 [2,441 Runs]
Friday $610K, Estimated 5-Day Holiday $5M, Estimated Cume $26M

FUENTE
MamamXtina

Tema: Re: [BURLESQUE]: TEMA OFICIAL Part II! Jue Nov 25, 2010 6:20 pm

yo no tengo ni idea de las de las peliculas pero si esta en el 3er puesto pss creo ke es bueno no? aparte no es mucha diferencia con el 2do puesto que es Tangled

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